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・ Andrés Baiz
・ Andrés Ballbé
・ Andrés Baquero
・ Andrés Barba
・ Andrés Barbero
・ André Zimmermann
・ André Zirnheld
・ André Zwoboda
・ André Édouard Marty
・ André Éric Létourneau
・ André Étienne d'Audebert de Férussac
・ André Øvredal
・ André, a Cara e a Coragem
・ André, Haiti
・ André, marquis de Nesmond
André-Adolphe-Eugène Disdéri
・ André-Albert Blais
・ André-Antoine Ravrio
・ André-Benjamin Papineau
・ André-Boniface Craig
・ André-Charles Brottier
・ André-Charles Cailleau
・ André-Damien-Ferdinand Jullien
・ André-Daniel Laffon de Ladebat
・ André-Elzéard d'Arbaud de Jouques
・ André-Elzéard d'Arbaud de Jouques II
・ André-Eugène Pirson
・ André-Frank Zambo Anguissa
・ André-François Bourbeau
・ André-François Deslandes


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André-Adolphe-Eugène Disdéri : ウィキペディア英語版
André-Adolphe-Eugène Disdéri

André-Adolphe-Eugène Disdéri (28 March 1819 – 4 October 1889) was a French photographer who started his photographic career as a daguerreotypist but gained greater fame for patenting his version of the ''carte de visite,'' a small photographic image which was mounted on a card. Disdéri, a brilliant showman,〔"(André Adolphe-Eugène Disdéri )" at the Getty.〕 made this system of mass-production portraiture world famous.
==Early life==

Disdéri began his working life in a number of occupations, while also studying art.〔Wilder, who names the occupations as "commerce, acting and politics".〕 He started as a daguerreotypist in Brest in 1848 or 1849 but in December 1852 or January 1853 he moved to Nîmes. There he received assistance from Édouard Boyer and Joseph Jean Pierre Laurent with his photography-related chemistry experiments. After a year in Nîmes he moved to Paris, enabling easy access to people who would be the subjects of his ''cartes de visite.''

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